Christmas 2023

Welp. Content update is beyond sporadic. But I'd be remiss if I didn't post the Christmas letter here. So here goes!


Christmas 2023

Dear Everyone:

We just got our twentieth Christmas ornament last month. Not in total -- we have a lot more than twenty, including the Big Bird that hung on my childhood tree and the probably haunted jingle elf that hung on Jennifer's. I mean that it's our twentieth art glass Christmas ornament, hand-blown (mouth-blown?) by Terry Bloodworth and Springfield Hot Glass Studio.

Many of you know Terry. The rest of you are impoverished, and while I pity you poor jerks, you're going to have to settle for the basics for now. He is, for those of you who are bereft, a glassblower, an artist, and was the elder statesman of the downtown Springfield, Missouri independent arts scene for many years.

Then he decided he had done his time running a shop, closed it up, and spent the next few years making things and selling them in shops and art shows here and there. This was sad, because it meant an end to visiting his shop during the holidays, walking from a near-freezing street into a place warmed by furnaces that were running at what I'd estimate to be 46% of the operating temperature of a fusion reactor. You'd walk in bundled under three layers and leave with a rare case of holiday swampass. It was lovely.

Not as lovely as his work, of course. I said that Terry's an artist, and I meant it. We have quite a few pieces of his around the house: vases, drinking glasses, even the shade for the pendant light fixture over the kitchen sink. His work has increased our home's Aesthetic Charm Numerical Estimate (ACNE) by at least 24%.

And then there's Christmas. Jennifer and I decided, not long after we married, that we'd buy one ornament from him every Thanksgiving to put on our tree to commemorate another year of marriage. We bought more than that, of course, candy canes and penguins and gnomes (gnomes are elf-adjacent) and gifts for family and friends. But the one thing we looked forward to the most was picking out that year's Terry Ornament. Even after the shop closed, we continued to make arrangements to buy them.

We've got 'em in all shapes and sizes. Glass balls, of course, and teardrop shapes, one that's over a foot long and somewhat horn-shaped, and another equally long, twisted affair that came from a gorgeous, chaotic chandelier that he deconstructed and sold the pieces from when he closed the shop.

We used to hang them on the main tree, but then came the Great Gravity Kerfuffle of 2011: too many ornaments on the front side, a tree stand that was too anemic for the job, and...boom.

Two things came out of that: First, we bought an absurdly expensive tree stand that was worth every penny, because it's built like a Sherman tank and an absolute dream to put a tree in. Second, we bought a separate tree-shaped metal table-top stand to showcase the Terry Ornaments, which I backlit with LED strips. When it filled up, we bought a second, less amazing stand. I've seriously considered learning TIG welding just to make a new one that would hold everything and look like something a wizard would use to air-dry his underwear. Terry's work deserves no less.

We got ornament number twenty just a few weeks ago. Twenty-one, I guess, technically. We had to replace one that broke in the fall. But this last one was free. He sent it to us with his love and good wishes, because it's the last ornament of his that we'll ever get.

His retirement is complete, now, you see. He's done. He's earned it. But I haven't forgiven him. That he would cut us off like this is selfish bordering on cruel, mitigated only somewhat by his coincidental decision to end on a nice, round number.

Twenty years. God, when you say it like that.

Twenty years of kids and dogs, neighbors we'd kill for and others we'd choke the life out of. Twenty years of hiking trails and fording creeks, of fights and holding hands, of funerals, weddings, hospitalizations and bedtime farts. Twenty years.

Our son's driving cars and picking out universities. Our daughter's starting to learn how to traverse the minefield of womanhood. I am still bald. Outside of some musculoskeletal issues, Jennifer's holding up well, and we're starting to look toward new adventures for the next 20 years. But we commemorated the ending of each of the last twenty with melted sand that was colored and forged and inflated and spun and twisted and drawn into something that brings us light every dark winter.

Thich Nhat Hanh, one of my favorite teachers, used to make a point of emphasizing that everything is made out of things that aren't it. Take you, for example. You are made entirely out of non-you elements, he would say. You are made out of your parents, and their parents, and on back past the beginning of our species. You are made of dinners and hasty breakfasts and naps and coffee and other people's exhalations. Hell, it's almost a statistical certainty that every time you breathe in, you are inhaling at least one molecule of Julius Caesar's dying breath. You're partly made of Julius Caesar, or at least his bloody, dying coughs. Merry Christmas!

And I think of that when I look at these ornaments. Some probably have his (arguably cooked) skin or hair cells folded into the glass. They contain his literal breath, preserved for us like a mosquito in amber. But more than that, they're made out of his eagerness, his frustrations, his worry, his sleep, his need to forget whatever was whirring around inside his brain that day and focus on the work. They're made out of his wife and children, some of the finest people we have ever had the good fortune to love. So every year, for twenty years, we'd pick out a piece of Bloodworth to display in our dining room and say goodbye to another year of that terrifying lifeline we call Family.

Then he cut us off, the selfish bastard. But no, it's fine, we're fine, it's all fine.

FINE.

It's another reminder from my teacher. Nothing is permanent, but nothing ever dies either. It just transforms into something else. The leaf on the tree becomes the leaf on the ground becomes nutrients in the soil that make new leaves. And in the same way, because Terry is now dead to us--

I'm kidding. Seriously, though, it means that we will find a new way to mark another fall's end. I have no idea what that will be, but I do know that it will be anchored in our lives and in the people we love, the people who change us, the people we are made from, because we are made from the Bloodworths, as we are made from all of you, and you from us. With a little patience, we'll find what pieces of you we want to hang from our tree.

But not in a weird way.

Happy Holidays. And, as always, we are here.

Good riddance

I don't know when it shifted, somewhere in the mid-teens. Well, that's a lie. It was 2016, to be precise about it.

Prior to that, the new year was usually a moment of hope. It marked new promise, new possibilities. Things to look forward to. Kisses, singing, fireworks, and of course resolutions made with evidence-resistant certainty that this time will be different. But whatever the specific experience, the common shared baseline was that we were looking toward something.

Then 2016 happened. That was when we stopped saying hello to the future and started telling the past to go fuck itself.

We were so weary at the end of that year, remember? November took the life straight out of half the country. The worst person in the history of American electoral politics, a stunningly stupid and corrupt and vicious man whose biggest aspiration in life was to be a mob boss, became our president. And he was elected precisely because he was stupid and corrupt and vicious. That was the selling point. And it worked. Millions cheered.

What followed was year after year of good, thoughtful people saying the same thing in unison with keyboards and mouths every December 31st: "Good riddance."

Even knowing what happened that year, it seems adorable that we would gotten to that level of despair before 2020, arguably the worst year in American history since the 1860s. It was the last of four solid years spent watching the news to find out what the hell he was going to break today, the first year of a plague that would conservatively kill a million people in this country alone, the year that good and reasonable people had to fight to an unreasonable extent to keep the dumb useless bastard from being reelected. The year that ended six days before the fine, upstanding Christian folks who supported him tried to stage a violent coup and end American democracy so they could claim the power that was and is their actual god.

Yeah. I'm tired too.

The last three or so years have been the hardest of my life. With all of that as background static, I've faced a bunch of personal trials, a pile of problems that have had no simple solution, if they've had any solution at all. Chronic and sometimes screaming tinnitus that no one knows how to treat. Two completely-out-of-left-field strokes that I am reliably informed should have at least handicapped me and probably killed me. The psychological and marital fallout of those strokes. A good job that turned into a toxic shitshow, followed by another, better place that (through no malice or wrongdoing, just stupid luck) got me stuck in a corner working on the worst project I have ever dealt with in my career. Hell, even exercise became an endless hamster wheel of stress and frustration. I tried to manage all of that while wondering if the plague would claim anyone I love, wondering how bad my dad's cognitive decline is getting, wondering if I did my children a disservice by bringing them into this world.

It's moments like these that I lean on the serenity prayer. If you prefer a less Christian formulation, and I certainly don't blame you if you do, then let's go to Eckhart Tolle: "When you complain, you make yourself into a victim. When you speak out, you are in your power. So change the situation by taking action or by speaking out if necessary or possible; leave the situation or accept it. All else is madness."

Change what you can. If you can't change it, shake the dust off your feet. If you can't leave, the only thing left is acceptance.

So I've started doing that. The things that I can change are getting my best effort. The things that I can't change are getting yanked off the pile without warning, explanation or apology, if they can be. Everything else gets all the acceptance I can muster.

You have no idea how many times a week I've coached myself on this in the last three years. Well, probably you do. You're probably like most reasonable people, raising a middle finger in lieu of a glass of champagne at the passing of the year. You're probably coaching yourself too.

That virus and them goddamn rednecks just about beat the optimism straight out of us, ain't they? But I'm determined not to let them beat me. Not to kill my ability to look up.

We're going back to the moon, y'all. It's been bumpy as hell going back there, and we're way behind schedule, but we're going back to the moon, and that's just the first step towards Mars and beyond. Ain't no fuckin redneck can even conceive of such a thing, much less do it. Hell, half of them aren't sure that the world is round. They don't know how to dream, much less how to build what they dream.

I hold tightly to that, and to this: Optimism is a form of rebellion. It is a way to fight back. Despair is a sin because it's exactly what your enemies want you to do. So. Fuck 'em. We're going back to the moon, and things are going to get better. We're going to fight hard to make sure they do.

So here's my resolution: I'm probably going to get weary, and I'm probably going to get frustrated and pissed off, and I'm probably going to have days when I check out. But I'm not going to despair. I'm going to stay optimistic. I'm tired of hating the past. Better to learn from it, to let that pain reveal what I'm clinging to, and to let my hands open so they can grasp the possibility that lies before me.

Here's to 2023. Happy New Year.

Thich Nhat Hanh, 1926-2022

And there was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-tilted streetlight; a frozen clock, bird-visited within its high tower; cold water from a tin jug; toweling off one’s clinging shirt post–June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody roast death-red on a platter; a hedgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead.

-- George Saunders, Lincoln in the Bardo

Thich Nhat Hanh has died. He would not want me or anyone else to make a big deal out of it, to spend a lot of words on him. So I will spare you the memorial service and instead point you to his writings.

My introduction to his work was the same as for millions of people: Living Buddha, Living Christ. I became a church-going Buddhist long before I read that, but it gave me plenty of reassurance and encouragement on that path. It helped me to understand what I was casting aside and what I needed to keep my focus on. It helped me to embrace the many paradoxes of my path and discard the need to explain them.

There's also The Miracle of Mindfulness, his love letter to this difficult and verdant life. It's jam-packed with ideas that changed my perspective forever.

If you're really into Buddhist study, you study the Sutras. And when it comes to the Sutras, you couldn't do much better than Awakening of the Heart, his collection of essential Sutras with commentary.

But usually you just need a very simple 101-level practice, and I'll give you two good ones. One is a pebble meditation that I picked up for my kids, who responded by shrugging and looking at their shoes. But it turned out to be really valuable for me. It's detailed in A Handful of Quiet: Happiness in Four Pebbles. I do it with marbles.

The other is How to Walk, which teaches you exactly what it claims to. Tiny book, simple ideas, big impact.

(So why grieve? The worst of it, for him, is over.) Because I loved him so and am in the habit of loving him and that love must take the form of fussing and worry and doing. Only there is nothing left to do.

-- George Saunders, Lincoln in the Bardo

I will not make a mess, but I will say this: He was my teacher, and I never got a chance to tell him that. I never got a chance to say thank you. I never got a chance to hold his hand or enjoy a quiet walk with him. That makes me sad.

But! If he were here now (and he is, and he never was), I have little doubt that he would see that sadness and would smile and remind me that the sadness comes from my doggedly insane hope for a better past, that today is all I have now. He would remind me that he doesn't want or need my tears. That the best way to honor him is to practice as he taught me, to let him live in me by carrying his teaching forward, as he did for his teachers.

I was fortunate enough to bear witness to his work, to behold the changes it wrought in my heart and mind and life. The only thing that I can think to do is to tell others about it, about him. Because I loved him so and am in the habit of loving him. He was my teacher and friend, though we never met. He is a wave that has crashed on the shore, but what made him special was that he always knew that his true nature was nothing less than the sea.

I was in error when I saw him as fixed and stable and thought I would have him forever. He was never fixed, nor stable, but always just a passing, temporary energy-burst.

-- George Saunders, Lincoln in the Bardo

Christmas Letter 2021

Dear Everyone,

Man, it just kept going, huh.

It's not hard to understand the roaring '20s now. A whole lot of lockdown and fear finally lets up, and that energy’s gotta go somewhere. So let's all invent jazz music and make out with each other and write books about sad rich people!!

It's been a lot, is what I'm getting at. Nearly two years, and it's all still going.

On the other hand, look how far we've come.

We've traveled over bumpy and uneven ground, to be sure. But it's a hike, and I know how to hike. Here are the basics: Keep your base weight light, take care of your feet, stay hydrated, and don't poop too close to water. Embrace the whole thing, whether it's downhill or up, when you're sleeping and when it sucks. The trail is sometimes boring and sometimes almost too hard to take, but it eventually leads somewhere with a view. Just embrace it all and keep going.

And we have, through ER visits and interminable doctor follow-ups and work crises and children struggling to deal with new challenges and changes. We've held hands and kept going no matter the terrain. And there's no one I'd rather do this hike with. Jennifer's the best trekking partner I ever had, bar none. The kids struggle a bit, but then they haven't spent that much time on the trail. Part of it is getting to teach them how to do more than survive it, to love it for what it is, gorgeous views and exhaustion, all of it. They're pushing back some, as any sane newcomer would, but they're getting the hang of it day by day. Seeing that gives me some peace.

As I write this, what I'm remembering most from this year is a literal hike, a "short" 8-mile out-and-back that was my first time setting foot on the Appalachian Trail. It was part of a 50th birthday trip for Jennifer (what the hell happened there, I ask you), and when we got to the lookout at the turnaround point, the hikers there all sang "Happy Birthday to You" like we were all having cake in someone's kitchen.

Total strangers all, but travelers like us through a time of exhaustion and confusion and fear and death and loss, hunkered down on a big rock in the sun and singing to my wife. If that isn't fuel to keep going, I don't know what is.

Because if all this is going to keep going, then I'll be damned if I'm not going to keep going too. Not to spite it, not even to survive it, but to truly live through it.

We hope your holidays are likewise full of life. And opportunities to reach out. And, when reaching out gets to be a lot, to rest.

Merry Christmas!

Christmas Letter 2020

Dear Everyone,

Well. It's certainly been a weird one.

There is a popular hypothesis that you and I are part of a simulation, that we are not "living" in the strictest biological sense, but are artificial intelligences running in some kind of software. This idea has a lot of adherents and a fair number of compelling arguments behind it, but the whole thing sounded kind of goofy to me for a long time. Then I lived through 2020.

This past year was like a staggering, drunken distant relative that battered its way through the front door, slopped Four Loko all over the rug, shouted some things about UFO conspiracies and the gold standard, and now appears to be mercifully passing out in the carport after weeing itself. It's upended everything. It's caused a lot of collateral damage. And it has, it bears repeating, been weird as hell.

I've heard people say things like "you can't make this stuff up" a lot this year, but the thing is, not only can you, I almost feel like you'd have to. Nothing as insane and farcical and interminable as this year, nothing with the sheer body count, nothing that includes not one but two stories involving Philadelphia-area landscaping companies just happens, surely.

At this point a plague of hamsters would surprise no one, so giving the simulation hypothesis serious consideration doesn’t seem like that much of a leap. So I started thinking about it. Imagine that you and I are someone else's program code, and that the utter lunacy of the past several months was someone's design. Imagine that whoever booted up this application watched me type these words and is now watching you read them. Are they smirking? Wincing? Watching with a sympathetic but knowing smile?

Thinking about all of this reminds me of the single best book dedication I have ever read, one that I discovered somewhere around, oh, maybe the fourth year of 2020. It reads: ”Dedicated to my fictional characters: I'm so, so sorry."

Because that's how you write a story, whether the fiction is printed or interactive. You create people who you love, and then you do bad (and sometimes crazy) things to them to make them grow. You throw a divorce at them, or an evil space wizard, or a plague of hamsters, and you watch how they change. It's how stories work because it's how life works. We don't grow from contentment. We invent coats because it's cold out.

And that's where we come to the only thing about this year that seemed to go according to expectations. No matter what unexpected twist the news brought, and it brought plenty, absolutely no one's reactions to those twists surprised me.

This year amplified a lot of questionable character, it’s true. The vicious dug deeper into their vice and declared it virtue. The corrupt found ways to profit. The loud got even louder. But the rest?

Those who could, they rolled up their sleeves and got to work. The industrious fired up sewing machines and 3D printers like their grandparents once fired up victory gardens and war bond drives. The kind cast their kindness out into the darkness like a searchlight. The honest hollered for reform. And I don't want to get started on the sacrifices of healthcare workers, service workers, and teachers, because we don't have enough printer ink on hand to send out a six page letter this year. Suffice it to say that we owe them all big. I continue to draw my hope and strength from them. They, and you, are my handle on the world, the one thing I can nearly always count on. By your fruits, I know you.

Don’t get me wrong, whether this is a simulation or not, I still have a long list of questions for its designer. But either way, for better or worse, it’s my home, and I’m grateful you’ll be here with me when floofy rodents start raining from the sky.

Here’s hoping for a more restful 2021.

I Hope It's Haunted, Too

We were tree shopping at a garden center, back when things were normal. They had a posted list of good full-sun trees for planting, and this alerted us to the existence of something called a Contorted Filbert. You don't bring up anything called a Contorted Filbert in front of my family without expecting follow-up questions. We had plenty for the young man who was hauling bags of whatever, and he dutifully took us to their collection. It did not disappoint. To wit:

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That's a fucking tree right there. I've planted three trees in our yard, the first a tulip magnolia I got for my wife a year or so ago and the second a red maple we got around the same time as Filbert there. The magnolia's blooms are lovely, and you kind of have to be dead inside not to love a good maple, but Filbert is the the most YA-fiction of them all, and therefore the favorite. I need to see if Hot Wheels ever made a Ford Anglia so I can nestle one in his branches while he's still tiny.

Trees have become a serenity-adjacent thing for me over the last several years. It started when I was working a job so terrible that I spent my daily commute home trying to talk myself down from being angry. I was at a stoplight one afternoon and casting about for anything remotely soothing to focus on when I looked up and saw a 40-foot oak twisting in the wind. Watching it stand there and vigorously contradict itself somehow felt like medicine. It got in my blood. I've been watching trees ever since.

I'm told that the effect may have something to do with my ADD gorging on the infinitely various depths and orientations of a tree's thousands of surfaces. It might also be a symptom of being a programmer in a world in which even non-technical people are choking on glowing pieces of glass. Whatever it is, Filbert gives it out with both hands. What he lacks in size, he makes up for in arthritic dervish and sproinging. I can't wait to see him full grown, but I'm happy he's in no hurry to get there.

A tree is deliberation and dance and shelter and time and undeniable, down-to-the-core-of-being fact. At bottom, a tree simply is. It is also quiet, and quiet is a rarer commodity than toilet paper to my pinball mind and tinnitus ears. So as I train myself to embrace a life that might never again know true silence, I fill my pockets with bits of second-hand quiet that I steal from sleeping dogs and trees.

Especially lately. Quarantine has managed to make our lives somehow both simpler and more difficult. If it can't be done from here, we try to do without. Running an errand feels like a terrifying vacation. The only time I feel fully at ease away from home is walking the dog after city curfew, when it might as well be an hour before dawn. I step as quietly as I can through our sleeping neighborhood and do my best to let everything go. I look up at the branches, stained orange by the streetlights, hopeful that they will help to unknot what the day has spent coiling and twisting within me. Most days they do the job. Most days they remind me that, whatever else is happening, places of stillness and open-ended possibility are still near to hand.

I need that reminder, and I need to remember that there are things with deep roots, things with longer lives than my whiplash vacillations between ego and self-doubt. Things that laugh at how temporary my concerns are. Filbert will be around after I'm gone, unless nature or the next homeowner proves to be unkind to him. While I'm feeding the soil of a small Ozarks cemetery, he'll be here standing watch, just off the southwest corner of the deck, perfectly placed for people to point at him and ask, "What the hell kind of tree is that?"

Love in the Time of Corona

This happened last Sunday:

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So we're pretty much under full quarantine. We were waiting for the nurse to test negative, but COVID-19 seems unlikely in her case. But now my wife's lymph nodes are swollen and she's feeling off. I got a week's worth of groceries bought, and we could probably limp by for three more days on leftovers, peanut butter and Trader Joe's frozen veggie samosas.

We have things to keep us occupied in our pest tent. Games, books, a 3D puzzle of the Weasley house. My daughter and her stuffed dog and I made friendship necklaces. Screen time rules are suspended. While my kids watched some Disney zombie thing, I made and stained laptop riser for my home office setup, depicted here:

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Not bad. I'll start work on the keyboard/mouse tray once the sliders have shipped. And of course there's my new job, which started Monday. Bit of a bumpy start, what with no work laptop, but it'll be delivered, and I have things to learn while I wait.

Meantime, we're doing as we have been instructed. Handwashing, minimal touching, nuts and chips go in bowls. I should probably stop kissing the dog. I'm gonna feel that one.

My wife's dad may be dying soon, though not from the virus. She's dealing with that, plus her sister's mounting anxiety, plus going from working at home alone to having a full house 'round the clock. It's a lot, and it's only the first few turns of a Tilt-A-Whirl that shows no sign of stopping. The vertigo of that is still fresh and harder to navigate with everyone constantly sliding around and bumping into one another.

I'm providing plenty of challenges, despite my best intentions. I have what could be termed a robust voice, and so when I'm on conference calls, she's using noise canceling headphones. At one point she wandered in to my office asking why I was playing the fuck out of some castanets, only to realize that it was my mechanical keyboard. I did warn her about the keyboard.

Our coping mechanism is Dammit Rodney. Dammit Rodney is our invisible coworker. He's the one that's screwing it all up, far as we're concered. Just yesterday, Dammit Rodney made too much noise, forgot to close the storage room door, and microwaved a melamine plate, which stunk up the house and probably gave us all cancer. Dammit, Rodney.

So there are going to be adjustments, probably for a long time. But mostly I'm getting a deep sense of how lucky we are. There is no better yardstick for your social and economic standing than seeing what would happen if your entire house gets infected with a pandemic. We're pretty damn wealthy by that measure, both in resources and friends. I can't imagine how many are completely isolated right now, or wondering how they're going to survive.

It's people like them, those who can't work from home, who don't have a backup, who get laid off. Who are self-employed and watching their livelihoods teeter on the edge of ruin. Who have to live in crowded spaces where a virus can spread like a brush fire. Who can't not care for the sick. Those are the people I'm worried for today. Not us. And certainly not those who are intentionally congregating and putting people at risk to make their precious, precious point.

This pandemic is showing us the best and worst of ourselves. My greatest fear is that we'll watch that unfold for weeks and learn nothing from it. I know the worst will. I hope the best get loud.

On McMindfulness and the "Sober Curious"

A year back and we're on vacation up to northwest Arkansas, a nice cabin in the middle of somewhere outside Jasper. There's a small river offshoot that runs through the property, past a horse pasture and the contorted husk of a mid-century Chevy Impala that was probably a victim of the geometry of those hill roads.

It is spring break and it is full of that Ozarks lushness that gets crammed into your eyes and nostrils until your head's stuffed with it. My own head is full of a loud ringing sound as well, a sudden bout of tinnitus that I have chalked up to the weather and maybe the pollen.

I've decided to try to practice some form of mindfulness meditation on this trip. I spend every hike through those hills trying to remind myself to practice awareness of everything from the pinball ricochet of my thoughts to the gossiping of the white oaks.

I do a decent beginner's job of it, but the ringing in my ears makes it difficult. I discover that mindfulness of an unpleasant distraction makes me more aware of its unpleasantness. I assure myself that it's probably sinus trouble and will pass in time. The meditation is going well, under the circumstances, and so I continue it when we get home. Things go pretty well that second week, too. Until the anger starts.

The anger seems to come from nowhere, not unlike the ringing. It's a small, petulant thing the color of an old bruise. It mewls and sulks and only hollers when it feels safe doing so. But it is persistent. For weeks, it hangs on and fires off at anything at all, even a poorly-timed question from a child.

I practice as I have been trained. I am present for it. I try to dwell in it without judgment. I view it as an opportunity to learn and grow. I issue apologies as often as needed. But it keeps up.

I have never walked this ground before, but my studies have familiarized me with the map. I have been warned by monks and nuns that this sort of thing happens. When you calm the waters of your mind, you see more clearly the garbage you sunk below the surface. This is all to be expected. But I draw the questionable conclusion that the best way forward is to force a smile and continue on, hoping I won't yell today. My blood pressure keeps climbing and I chant "all is well".

It's not until the strain gets bad enough for me to hit my knees and let the words "All right, motherfucker, enough" escape my lips that I start to find relief. Following that curse, circumstances begin to fall into place. Suddenly I'm hearing what I need to hear when I need to hear it. My honesty with myself has opened the path to the work that I need to do now.

I do not get relief from the tinnitus, however. It's steadily worsening, going from a simple ringing to a loud ringing to a crickety metallic buzz that, on its worst days, is nigh at a dull roar.

Sleep is abandoning me, too. I do not realize it consciously, because I've been frogboiled on it for so long, but sleep no longer brings rest. It is a dark and dreamless hole that I fall into at night and claw my way out of every morning, wondering why eight solid hours feels like two too few. It comes and goes, though, and like I did with the anger, I assure myself that it's all fine. The buzzing and the tiredness are well within tolerable limits.

Within six months, I'm curled up in a ball in the guest bedroom while my wife holds me. I am wracked with sobbing and asking why it won't stop. I confess to her that I want to die. I am well past five years sober. I have literally prayed for death, but I do not desire a drink. I hold onto that like it's my mother's wedding ring.

Sometime before that, I'm on a FaceTime call with Lance and Patrick. Lance and Patrick are brothers in recovery. Lance is recovering from alcoholism and painkiller addiction, and today he's also recovering from a major foot surgery. Which means he has to take painkillers. To heal his body, he has to feed the voice in his head that wants him dead.

Lance is smiling. He is sitting with good posture. He is talking as we have taught each other to talk. He is looking deeply into his situation and is attempting a calm and positive outlook. But I can see that he's in the shadow now. It's a grey veil that blurs his face. He'll have to wear it until the drugs can stop. I can see it working on him. His three means of defense now are his training, his higher power, and his time spent in the company of other addicts like us. He has no bank of serenity to draw from.

I don't really worry for him, at least not consciously, because his actions are all correct. He is doing exactly as he has been trained to do. But he is withering and will continue to wither until it passes. When it does, the light goes back into his eyes and a knot turns loose in my gut.

Somewhere around then, I've gone down a rabbit hole of web essays with titles like "The Dark Side of Mindfulness". These articles are written by dabblers who have uncovered the terrible secret that meditation works exactly as monks and nuns have been saying it does for centuries. They are shocked to discover that not all medicine is anesthesia, that feeling better is not the same thing as getting better. Some of them appear to have even bailed out on the verge of a major breakthrough, simply because they had no studies and no teacher to encourage and explain.

"The antidote to suffering is more suffering", I forget which monk said, and my experience has borne this out. Meditation is not always serene. It uncovers and provokes. And even in post-meditation, I find my practice provoking me, keeping me off balance, transforming stone to sand and once-treasured joys into bittersweet memories. I kind of hate it, until I realize that it is alive.

I give in to uncertainty and gamble six thousand dollars on a treatment for my tinnitus and sleep problems. The treatment is proposed by a dentist who claims to specialize in something that is not an officially-recognized specialty. I tell one of my doctors that I fear I've wasted a lot of money on snake oil, but I'm desperate and out of ideas. He tells me that nothing in the treatment I've described sounds off. "Even the snake oil guys have gotten more evidence-based," he says. That helps some, but I also reflect that if I didn't have six thousand dollars to gamble, I'd be well and truly screwed. I feel almost guilty for having the money. The part of my brain that wants me to die insists that the only outcome I deserve is to discover that I've been had and will have to spend the next 40 years trying to find ways not to kill myself.

It's my turn in the shadow. I think of Lance and I start coaching myself through it. I keep doing what's asked of me. I make my appointments and go home worried. I tell my wife how I'm feeling. I exercise when I want to hide. You don't have to feel it, I tell myself. It won't always be pleasant. You just have to do the next right thing. The experience is like driving at night, unable to see beyond the limits of my headlights and trusting that the map isn't wrong.

While waiting for one of my treatments, I'm skimming the news and I read an article about the "sober curious" movement. This sounds like it is, for at least some of its adherents, rooted in real concern, but it also smells like the latest paleo/keto/coffee-with-butter trend to make the online influencer circuit. It's chic, and it's trying to separate itself from the stigma of those of us sad sacks who are sober because of a problem. Half of my brain applauds any alternative to the cultural cornerstone of booze as a necessity for adult human interaction. The other half says yeah, well, fuck you, you bunch of amateurs.

In my lifetime, I have given up drugs, smoking, drinking, and meat, in that order. I've given up every one of those things because of pain. I treasure every sacrifice and the spiritual path they support because they are bolstered by suffering and bafflement and joy, because they have built me and keep me alive. They are my offering to that which is greater than me, for the hope of awakening and a chance to help drive away the sorrows of the world.

But I find that my diseased ego is twisting even this to its purposes. It is stuffing these sacrifices into the Story of Me, the means by which it keeps me confused, frightened and asleep. My sacrifices make me more. My awareness makes me more there. My resentment is filled with images of vapid, waifish white women in yoga pants. It takes my noble, enlightened mind a few days to find the courage to unpack the shittier implications of that.

When you have to do it the hard way, it can be tough to find compassion for those who don't, and even tougher to find compassion for those who could use the hard way but who never seem to suffer enough to need it. I reluctantly gave in to sobriety and stepped onto the Buddhist path because the alternative was insanity and an early death. How easy it is to feel safe six years later, to recline from this vantage and mock the Chads and Beckys. To forget that I'm no more awake than they are. That I'm sicker than most of them.

Forgetting is so easy, even after dozens of jaw injections, minor surgery to the underside of my tongue, endless nibbles of progress and henpecks of worry. My ears are still ringing, but most days not as badly. Sleep is sleep and headaches a fraction of what they were. Never mind that none of this is actually over. It's better enough that I can pretend I'm in control. Why not give myself a medal and a veteran's parade?

That smugness is my own pair of yoga pants. My spirituality may not be the light and airy spirituality of the tourist, but without vigilance it becomes my own paleo path, a mere self-improvement project. Pain and provocation are the only things that keep me honest, because at bottom, I'm a tourist too. I'm just a little better at blending in with the locals. If I want to settle here, I need to do what every good tourist should do. I need to shut up and listen and keep exploring.

Christmas Letter 2019

Dear Everyone,

I've struggled to figure out what to tell you this year. And I think the main reason is that I don't want to tell you anything.

There's a temptation to put a tidy little bow on the year. To write something charming or witty or Hallmark. There's nothing wrong with those things, but I don't want to be in that business. Not with you.

We've been through some things, yes? We've been through hirings and firings and babies and graves. There have been trick elbows and coffee stains and pontifications around a fire. Sunrises over the pines and long nights making faces out of the bumps on the ceiling. That isn't a tidy package. It's a beautiful, glorious, sometimes heartbreaking mess. As it should be. As are we all.

That heap of contradictions is reality, and reality is what lies beyond the reach of our concepts. It's what persists in the face of belief or a lack thereof. And it, this reality, this life, does not exist to be understood. It exists to be lived.

2019 gave our family and our world countless examples of that truth. Beauty in tragedy, oneness in disconnection, impermanence while nearly nothing seems to change. You can't put that under a microscope, though lord knows I have tried. I have to remind myself that my job is to sing to it. To sing to those to whom it has brought joy, and especially to those it has broken and burned.

The more I experience this life, the less I know about it, except maybe for one growing certainty: it is dead set on mocking my understanding. It doesn't want me to take the water's temperature. It doesn't even want me to dive in and swim. It wants me to know that I am already one of its waves. When I really know that, then I will be free to dance along its surface, to allow myself to get mixed up in its waters.

So I'll leave you with an offering along those lines, one that I wrote last fall while sitting on an actual beach, watching my children toiling joyfully to stand amid the tide.

To you I give the ocean
To you I give the waves
And how their churning stills my mind
And my boy.

To you I give my daughter's fear of it
And its overcoming.
To you I give her leaping, yelling
"I am God, parting the sea."

You can also have my son's retort
"Actually,
that was Moses."
Enjoy.

My offering, pleasing to you:
The beer drinkers at Bruno's,
The sand on the floor,
The panicked slantwise retreat of the crabs.

Also that second line in the Quarter
I know it was a rich white people second line, but still),
The sweat wrung down my back,
My three showers in a day.

My friends afar are yours, as is their meeting
The footsqueak of the beach
The worrying of jellyfish
And Jupiter, insisting over the sea.

I offer to you
My absurd toenail polish
The despair of seven months of tinnitus
That tick bite from camping.

I make a burnt offering of my fear
And my frailty
My impatience, my need
And evenings in a hammock.

To you I give my names
To you I give my faces and my hands
To you I give the story I call me
That I still pretend is real.

Please take it all.
Leave me empty
Leave me open
And leave the light on when you go.

Love to you all. Love to us all.

Happy holidays, everyone.

Toward a Unified Theory of Community

[Warning that unpleasant depictions of human and animal deaths follow.]

It is last weekend and my wife is asking me to kill a snake. A decent-sized garter snake has gotten bound up in netting we'd thrown over a volunteer blackberry vine she found in the backyard. It is cruelly contorted and mostly dead. Flies are gathering.

I take it into the side yard and fetch a shovel and a five-pound sledge. I lay it where it can feel the sun one last time. I pick up the shovel and recite the Five Remembrances of Buddhism:

I am of the nature to grow old. There is no way to escape growing old.

I place the shovel tip directly behind its head. It isn’t moving much, just the occasional shake of the last two inches of its tail, the sum total of its body that is still free.

I am of the nature to have ill health. There is no way to escape having ill health.

I stomp down on the shovel as hard as I can. Its body convulses once and stops.

I am of the nature to die. There is no way to escape death.

I worry that the job isn’t completed, so I use the sledge to drive the shovel deep into the ground to be sure.

All that I hold dear and everyone I love is of the nature to change. There is no way to escape being separated from them.

I toss my tools aside and squat over the snake to be sure the job is done. It looks to be free of its pain.

My actions are my only true possessions. I cannot escape the consequences of my actions. My actions are the ground on which I stand.

I tell the snake goodbye and apologize for such an ugly end.


It is the night before I will kill the snake. I am reading a 20th anniversary edition of Living Buddha, Living Christ by Thich Nhat Hanh. Thây says this:

There is a deep malaise in society. We can send email and faxes anywhere in the world, we have pagers and cellular telephones, and yet in our families and neighborhoods we do not speak to each other. There is a kind of vacuum inside us, and we attempt to fill it by eating, reading, talking, smoking, drinking, watching TV, going to movies, and even overworking. We absorb so much violence and insecurity every day that we are like time bombs ready to explode. We need to find a cure for our illness.

For less than a year now, I have been studying and practicing Buddhism. It is a path I did not consciously choose. I appear to have tripped and fallen into the arms of its inevitability.

Like so:


It is barely 2014 and I am tired. I am tired of feeling wrung out. I am in a United Methodist Church I do not wish to belong to but continue to attend out of a sense of family duty.

I have been reading essays by writers like Kelly Sue DeConnick and Matt Fraction and Russell Brand and Roger Ebert. I have watched an opening monologue that Craig Ferguson gave after Britney Spears' public breakdown. These people are sharing their addiction recovery stories. I am paying attention.

Ebert knew a woman in his home group whose higher power was the radiator in her apartment. Brand writes of the experience of walking around every day with a voice in your head that wants you to die. I have been collecting their stories, turning them over and over in my hand like river rocks.

I am burned up and burned up and burned up and longing for it to end. But I am starting to feel less alone.

And it is here, in this church I don't want to be in, on this day. This is the final notice. Today the pastor shares her story. She tells the tale of how her father went from being a pillar of the community to eating out of garbage cans.

I am in the soundbooth at the back of the sanctuary, looking down at her from on high, and from my vantage I can see my path to those same garbage cans with clarity. I can see every step toward ruin, every tear. I am finally able to admit that I am an alcoholic. It will be a number of days before I will introduce myself to a roomful of strangers as such, but I now know that it will happen. And I am relieved and terrified.


It is February of 2014 and I have dragged myself through the door of my first recovery meeting. I am shaking and my eyeballs are dogpaddling. I sit next to Alfred. Alfred is wearing cufflinks, which I didn’t expect to see, but the cufflinks are less of a surprise than the laughter. I hear the laughter and I realize that I don’t know what is going on, but I want more.

Brent is the first person to give me his number. He will become my sponsor and lay a lot of the foundation for what is to come.


It is 2017. I have been sober for over three years and Patrick and his wife have invited us to dinner. Patrick is a fellow alcoholic and asks me if I'd like to tag along to eat dinner on Wednesday nights with his friends before going to the evening men's meeting. This question will come to touch every millimeter of my existence.


It is last spring and I am walking the dog with my wife. I tell her that I need exercise, but I want to do something I can incorporate into my spiritual practice. Something to help me practice mindfulness of body. She invites me to join her and the kids at Unity Martial Arts, a dojo that teaches Cuong Nhu, a Vietnamese martial art. Vietnam is the country that gave birth to Thich Nhat Hanh and nearly killed my father.

I start taking classes immediately and am sideswiped by a loving community of practice I had not had eyes to see during the years I had been driving my son there. My ritual had been to walk him in, sit at a table, and wait out his class while reading a book and listening to white noise through my earbuds.

Now I am standing in the dojo, wearing a gi that needs hemming and self-esteem that needs letting out. I learn one block, one hold, one correction at a time that this is a community largely built on touch. There is an intimacy to this place that has been lost to much of the modern world.


It is 1963 and the Bodhisattva Thich Quang Duc assumes the lotus position in the middle of a busy intersection in Saigon. Other monks pour gasoline over his body. He lights a match.

This is not an act of suicide. It is not even an act of protest. He is trying to turn the heart of Diem, South Vietnam's Catholic president, who has been persecuting the majority Buddhist population. If Thich Quang Duc cannot achieve this, he hopes to start a conversation about love and compassion and human rights.

He burns without moving or making a sound. He is dead within minutes. People prostrate themselves before his charred corpse, which has toppled backward into the street.


It is 1966. Thich Nhat Hanh has been exiled for trying to bring peace to Vietnam without taking sides. He will not be allowed to visit his home for 39 years.


It is 1967. My father has been drafted and will be sent to Vietnam. He marries my mother in a hurry.

He will later return home to a country that worships the gun and speak to me often of the heroes he served with who would not fire one. He will not often speak of the death he waded through.


It is 2018. I am sitting in the small room next door to where I normally attend recovery meetings. It is a dingy, badly lit room with a reminder on the whiteboard not to leave food out, because there is a rat problem. I have described this room to my wife as the sort of place where a person can get the DTs without worrying about bringing down the general aesthetic.

Patrick is there, and so is Lance. I have loved them for a year now. We are doing a step study, and we are recording our talks. There is urgency to our task, because Lance is leaving for Texas in the fall.

Lance is talking about his ego, his carefully constructed identity. I have a flash of insight that the idea that we call Lance, the ideas that we call Patrick and Matt, do not exist. They are mere concepts.

Later that night, I walk my dog and have an experience of emptiness of self. This experience is not hollow. It is not the emptiness of the void. It is a glimpse of who I am when I set aside the story of Matt. It is the emptiness of a room cleared in anticipation of a gathering, a party. It is an emptiness of warmth and light, an emptiness that is full. I do not know it, but it is the moment I become a Buddhist.

I have full awareness in this moment that this is only a glimpse, one given by grace. It exists to point the way. It fills me with the most curious mixture of longing and peace. Like a good addict, I will chase this feeling like yet another fix for quite a while before I realize that I've missed the point.


It is 2016 and I am discussing my spirituality with my wife. I am not yet a Buddhist, but I tell her that I haven't really been a western-style monotheist for a long time, that middle age has found me largely pantheist, maybe, or I don’t know what.

"Yeah, me too," she says.

"Wait, then why exactly do we go to church?" I ask.

"Can you name me one other community organization where people of different backgrounds and beliefs come together to discuss things that are really important, and to help each other out and hold each other up and learn from each other?"

"Yeah, sure," I say. "AA does that."

"Well, I'm not an alcoholic," she says. "What am I supposed to do?"


It is 1995, the year Living Buddha, Living Christ is published. The Dalai Lama has publicly identified the 11th incarnation of the Panchen Lama, the second-highest position in Tibetan Buddhism. He declares the new Panchen Lama to be a six-year-old Chinese boy named Gedhun Choekyi Nyima.

In three days, the Chinese government will arrest the boy and his parents. They will never be seen or heard from again.


It is I don't know what year, sometime before 2014, during the blur and blackout of it all. She is standing before me as I sit in my chair with my whiskey and my laptop. She is all but pleading for me to let her in. I am wishing that she would go to bed and leave me in peace.


It is 2017. 150 Tibetan Buddhists have self-immolated like the Bodhisattva Thich Quang Duc in the past 8 years. 86 monks and nuns have burned in 2012 alone.

The Chinese are not satisfied with taking Tibet’s land. They know that Tibet is a boundless community, so they have been striking at its heart. 150 people have burned themselves to death to try to stop it.


It is a Sunday and I am in a mostly empty sanctuary. Our church, which was already in decline, has been poleaxed by a scandal that wiped out a decent chunk of the ministerial staff and half the congregation.

This scandal, and the destruction left in its wake, have left me fully dedicated to a church for the first time in my life. My theology is not theirs, but I cast that aside as I later would that shovel and hammer. I know a community of the damaged when I see one. These are my people.

The UMC has assigned us a new minister. He is yet another older white man, and I have my doubts.

Two days before, I was reading a book by Sri Ramana Maharshi that Lance recommended. Sri Ramana told me that the language that the great Self speaks is silence.

Pastor Roy steps up to the pulpit for his first sermon. "The language of God is silence," he begins.


It is late 2014. I am nearly a year sober and finally understand how fully I had left my wife and children in the cold. I realize that I had everything I needed right in front of me, the whole time. More importantly, I realize how much they needed me.

My wife's heart is vast. Her back is strong, and so are her arms. And I couldn't see them.

I am gutted with shame. But it is not the shame of before. I don't whip myself with this shame. I make it into a vow. For her. For my children.

From now on, I am for them. I am them.

The shame will be my guide on this path. My sentence is to carry it, to learn how to transform it. For them. I begin looking for a way.

I am so sorry.


It is a few months ago and we are driving home from Unity Martial Arts. I tell my wife that I am thinking of dropping Sensei Paula's power class. She is surprised. I explain to her that I am the only man in the class, and I worry that the mere fact of my presence changes the dynamic. I worry that the women are less at ease with me there. She says this:

"You are a grown-ass heterosexual white man with a job and a family, and every Saturday people see you come to a class taught by a woman and a fourteen-year-old girl. They see you call that woman and that girl 'Sensei'. And that matters."


It is September and Lance is leaving for good. It is my wife's birthday. Patrick and his wife invite us all over for dinner.

I am mourning, and I am worried for him. Moving sometimes kills alcoholics. We've all heard stories or seen it ourselves.

We talk as I have learned to talk, as Lance and Patrick have taught me to talk. We talk about fears and resentments and love and compassion. We talk of surrounding ourselves with others. They have been teaching me how to transform my pain into love.

But the waves of this pain are big, and my anchors are my family and my recovery. My wife encourages me to keep putting myself out there. Patrick jokes that if I move away, he will stop making new friends.

Three months later, he tells me that he is moving to New Orleans.

It has taken me 15 years to make friends with whom I can speak like this. It is hard for me to get out of my own way. So I am not just mourning their loss. I am wondering if I will ever make a local connection like this again.


It is 2019 and Dean is taking me under his wing.

It is 2019 and I meet David, who is the only other Buddhist I know in this town, and the only Buddhist alcoholic I know on the planet other than Lance.

It is 2019 and I’m finally connecting with Marc, who is trying not to die of cancer.

It is 2019 and I am realizing that these people and countless more were already here.


It is four weeks ago and I am at Unity Martial Arts, and Sensei Paula is concerned at a lack of new white belts coming in. New people are not just important for business; they are also important for the life of the community. She is asking us for ideas.

I realize that I have an instinct for joining communities that are struggling to grow.

I am paired off with Terri. We have been told to do pushups face-to-face while complimenting each other.

"I love that you come to class with painted toes," she says.

"You have helped me feel at home here," I say.


It is one day after I began writing this essay. It is a Sunday. The sermon topic is "Our Oneness". The offertory hymn is "In Christ There Is No East or West."

I am beginning to have a deeper appreciation for the openness and subtlety of Pastor Roy.


It is the fourth of July, and I am at another early morning recovery meeting. I am looking at old text files on my phone.

I find a suicide note that I don't remember writing. A suicide note composed in a blackout.

The pain is sudden and vast.

But when I regain my breath, I am grateful. Because I know what to do with it.

I am going to tell people about it.


It is last Saturday, and my father is helping me load Patrick's U-Haul truck so that his family can make their final journey south and leave Arkansas behind forever. Experience has given me faith that I will not lose touch with them, and so I am at peace. I am able to focus on what is best for them, rather than what is best for me.

Two members of my Wednesday night recovery group show up to help, Tim and James. James is my sponsee. He has nearly four times as much sobriety as I do, but he asked me to be his sponsor. This request has floored me.

I am glad that Dad gets to meet James and Tim. I love it when my family meets my family. We hug and laugh and share our stories of the week. Before we leave, Patrick holds me tight and asks me if I know that I am his brother. I tell him that I know, that I love him, that he will carry me with him to Louisiana.

Afterward, when we are back at my house, sweating and tired, Dad asks me if any non-alcoholics have ever joined the group.

"You mean like faking alcoholism to join?" I ask.

"Yes," he says.

"I've never witnessed it personally, but it does happen. Kurt Vonnegut had an uncle, I think, who faked alcoholism most of his adult life so he could be in the program."

My heart leaps at learning that my father has entertained such an idea. I would not wish my disease on him for anything, but I long for him to know this kind of fellowship almost as much as he does. He's hungry for it. Most men are. I start trying to figure out ways to make that happen.


It is now. I am reading Thich Nhat Hanh. I have been wondering what life as a monk would be like. I have already made vows, vows to my wife and children that I would never want to break, but I wonder if, in a different life, I would be making refuge vows.

On initiation into a monastery, a Buddhist monk or nun vows to take refuge in the Buddha, to take refuge in the Dharma, which is the teaching of the Buddha, and to take refuge in the Sangha, which is the monastery and the community of other Buddhists.

Thây says that practicing mindfulness in everything is nearly impossible outside of a traditional Sangha. The pull of the world and its practiced distraction is too much. He says that at home they have a saying, that when the tiger comes down from the mountain, the villagers will kill it. I think of the snake, twisted into a geometry of agony by a net whose only intention was to keep the birds off the blackberries.

But Thây also tells me that I am not to leave my existing community of faith. He tells me that this is my Sangha, my roots, and that I must never abandon my roots without cause. I have already come to this conclusion, but it is good to hear it from my teacher.

I know that I have at least three Sanghas now: My family, my recovery family, and my church. I wonder if the dojo is a fourth. Every step down the path of the bodhisattva, the path that chose me, has been one more blow of the sledge, driving me deeper into their soil. I know almost no other Buddhists in any of these places, but these are the places where I am needed. Lives are quite literally at stake.

I cannot become a refugee elsewhere. I have to build the refuge where I am.

I have no idea how. It is likely that I will fail.

I think that I am going to try.


I am disposing of the snake's body. Like a good alcoholic, I am second-guessing every choice I made. I am trying not to wonder how long it choked in that net.

I walk upstairs, forgetting Thây's instruction to practice mindfulness with every step up.

My son is in the dining room. He looks relieved. "Thank you for doing that,” he says. “I bet it wasn’t fun."

During my time in recovery, I have had a few moments of speaking without being conscious of what I was saying until it was done. This is to be the first time I experience one of those moments with my family. I think I say this:

"Actually, I'm grateful I got to be the one to do that. That snake could have been caught in a lot of people's yards. Most of them wouldn't have cared, or would have been disgusted. Some of them might even have been amused. But it got caught in our yard, and so I got to be the one to end its pain and wish it well. I think that that is a sacred duty, to let the living live and to help the dying die. Killing that snake was painful. But it filled my heart."

I am not surprised to be saying these words, but I do not recognize them as coming from the same man who wanted to be left alone all those years ago. I think of everyone who put those words into me, starting with Alfred and his cufflinks, and Brent and his business card.

My son is not yet twelve. I think he hears me.


It is two Sundays ago, and I am feeling very serene and fulfilled. I am grateful for the people in my life, for the places my path has taken me, for the communities that have taken me in. I am driving to Kroger to do the weekly shopping.

I pass a woman slumped on a bus stop bench, bags around her feet, soaking her t-shirt in the 90-degree heat. Her face is slack with exhaustion and dread. She is alone.

Thích Nhat Hanh has come home

Another senator in the group, the New Mexico Democrat Tom Udall, said he participated in a workshop with Mr. Nhat Hanh in 2003 as a member of the House of Representatives, and that he had been meditating daily ever since.

One teaching he embraced is what Mr. Nhat Hanh calls walking meditation. “Ever since I met you, when I walk to the Senate floor to give my vote, I remember I am kissing the earth with my feet,” Senator Udall told the monk in Hue.

Thích Nhat Hanh has finally been allowed home to his monastery in Vietnam.

This happened a month ago, but what a Father’s Day gift to read it now. He has helped me and changed me more than I know how to say. I only wish I could tell him.

I have no doubt that, if asked, he would say that he has always been home. But to return to the country and the monastery that reared him is quite a thing.

Welcome home, Thay.

A Fifth of Bliss

He who clings to the void and neglects compassion does not reach the highest stage. But he who practices only compassion does not gain release from the toils of existence. He however who is strong in practice of both, remains neither in samsara nor in nirvana.

—Saraha

Galactic Scoundrels

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My son and I just got back from the local tabletop game store (which rules, by the way), where we hung out at the kickoff party for Galactic Scoundrels, created by a local game company we backed on Kickstarter a few months ago.

It’s a storytelling game played with cards, dice, and (in our case) an appreciation for fart jokes. You’re collaboratively creating the dumbest or weirdest or bawdiest space western you can come up with. The game benefits immensely if you commit to either creating an over-the-top story or becoming a cartoonishly Randian scumbag.

Everyone in the game plays at being an off-brand Han Solo. You’re a space pirate with a ship that starts out as cheap crap and a moral code that hopefully ends up the same way. You try to bluff your way into a job (smuggling, theft, etc.) for some quick cash. If you get it, you do your best not to screw it up. While everyone else tries to screw you. Unless they’re trying to help you. For a price. Assuming they aren’t lying. Which they probably are.

It was me and my 11-year-old boy playing with an eighth-grader and one of the store’s employees, and we were all friends by the end of the first round. We faced everything from black holes to wormholes to a-holes to awkward sexual tension. We had only our guns, our wits, some bribing cash, and not a little bit of smarm to help us. Sometimes we could face a problem head on, sometimes we had to jettison unstable cargo or use a paying passenger as a human shield.

And we laughed. We laughed a lot. This thing was made for parties. It’s silly and funny and things are perfectly structured so the storytelling experience can fall anywhere on the spectrum from PG to Pornhub, depending on the crowd.

So far I’ve noticed only two weaknesses that really aren’t. One is that our first game, playing all three “episodes”, took well over an hour, so a full game isn’t quick. It feels like that’ll speed up as everyone gets familiar with the rules, though. And you can always play just an episode or two or use special “house rules” to accelerate things if you want to keep it to 30 minutes or less.

The other is that the biggest strength of the game is also its potential weakness: the story. The mechanics are fun enough, but the reason I’m bothering to write about the game at all its storytelling aspect. If you’ve got a group doing paint-by-numbers plots where the hacked data you’ve made off with is “spy secrets”, you won’t have as much fun. But if you’re playing with people who’ll imagine the data is the galactic president’s browser history, you’re going to have a ball. Story is such a big part of it that I didn’t care who won. I just wanted to see what happened next.

Right now I don’t know how to buy if you aren’t a backer and don’t live in central Arkansas, though you may be able to buy from Game Goblins’ site (the first link up top). I’m sure the creators would be delighted to help you if you contact them. They’re delightful nerds who made a delightful nerd game that made my entire weekend. I can’t imagine they’d be anything less than helpful. Here’s hoping this will be a springboard to even bigger successes for them.

Seems appropriate that it was Diablo

Blizzard announced this week a new Diablo game for mobile, not PC or console. Fans completely lost all perspective and succumbed to blind rage.

It’s really, really easy to make a nerd burn here or do the usual “kids today are so entitled” thing that literally every generation has done. But the real concern for me here is yet more fandamentalism. More from the new Church of Entertainment. More of people trying to find meaning by clutching at things that could not be more meaningless. And waiting in the wings? Are those ready to exploit it.

It’s easy, too, to get lost in judgment while watching it, but what I feel right now is heartache. Because what I see is a whole lot of needless suffering and fear. Fear of what Russell Brand (!) perfectly termed the unrelenting echo of an unfillable void.

I don’t know how we fix this. I refuse to believe that it isn’t fixable. But the rot is deep and the scale is staggering. It may take massive calamity before we awaken to it. Or, as Alan Watts once put it, “You won’t wake up until you feel you’ve paid a price for it.”

We Are What We Pretend to Be

I just finished watching Lodge 49. It’s wonderful. No one I’ve asked has heard of it.

It’s difficult to describe, beyond the setup: a down-and-out surfer finds a signet ring from a local fraternal order on the beach and returns it to the lodge. When he sees the dying lodge and meets the struggling people within, he falls in love with it and asks if he can join.

The lodge’s history is steeped in alchemy and ritual, so the show itself has mysteries, of course. But they almost seem beside the point, despite their intrigue. Todd VanDerWerff wrote about this halfway through the season:

It’s not clear what the larger point of the series is, or where all of its mystical portents and hints about some larger purpose for these characters are going. There’s a strong subplot about Dud’s twin sister, Liz (Sonya Cassidy), who’s working at a Hooters-ish sports bar named Shamroxx, because she’s so burdened down with debt passed down to her by her and Dud’s deceased father. There’s a dead body in a secret, hidden room in the lodge. There’s a loose seal wandering across the road.

All of this, I think, has led to people trying to guess what Lodge 49 means. It has some of the outward trappings of a mystery show like Lost or Twin Peaks, so it must play by the same rules as those shows, right? But the series’ fourth episode, “Sunday,” is as good an argument as anything that the series is less about trying to make sense of its many loose ends and more about realizing that you find life amid the loose ends.

Lodge 49 is the anti-Lost. It’s a deliberate inversion of the (very successful) mystery-meat show format. In this case, the mystery isn’t the main course; its function is mostly to agitate the characters into opening themselves up to one another. It gives them reasons to build and sustain a community. So the show will reveal the occasional mummified corpse or Bruce Campbell, but it’s mostly content to wander and explore and build connections. It’s been called “deceptively aimless”. And that makes it a breath of fresh air.

Todd wrote this more recently about the overdue decline of the white male anti-hero and the punishment of women for entertainment. It hits the issue from pretty much all sides, and the whole thing’s worth a read, but this bit leapt out at me:

But I don’t think it’s a coincidence that we’ve capped an era full of white male antihero protagonists with a president who feels like he might as well be the main character of an antihero drama in some other universe, where viewers thrill at how he always dances one step ahead of the forces that would bring him down, cheered on by toadies and sycophants who eagerly abandon principle in the face of finally grasping power.

This is also a delicate dynamic to talk about because the surest path toward boring, bland art is to insist that it be morally, ethically, socially, and politically palatable. We need shows like The Sopranos and Breaking Bad to help us ponder the darkness within humanity, and within ourselves as individuals. To insist that art conform to some code of righteousness is a shortcut to making art that’s not worth thinking about....

What I am suggesting is that advocating for representation on TV and in films is not merely about painting an accurate, inclusive picture of the world we live in. Yes, we need more women antiheroes, more antiheroes of color, and so on — but we also need to think about how the stories we tell create long grooves in our culture, grooves that eventually crystallize into reflexive beliefs about who gets to be the protagonist and how they go about being that protagonist.

Read that last sentence again. The stories we tell create long grooves in our culture. It took me a while to understand that there is such a thing as a cultural illness, and that too many Travis Bickles and Jesse Jameses and Eric Cartmans often lie at the root of it. If you don’t believe that, sit down and listen to how Johnny Cash sang “I shot a man in Reno just to watch him die.” Then go into any bar where it’s playing and listen to how the drinkers sing that line.

Vonnegut wrote “We are what we pretend to be, so we must be careful what we pretend to be.” But he decided that wasn’t clear enough, so he wrote this too: “There’s only one rule that I know of, babies—God damn it, you’ve got to be kind.”

I used to think that people who were troubled by phenomena like South Park were being uptight and humorless. Now I wonder whether South Park’s omnipresent “screw you for caring about stuff” theme carved some of the grooves that helped pave the way for our current predicament.

My hope is that we’re waking up to it. The current president* may not be a coincidence, but neither is the appearance of two movies about Mister Rogers or the slow rise of shows like Lodge 49 or The Good Place. I don’t think stories will save us. But maybe we’re starting to realize that stories have shaped us more than we suspected.

Who am I?

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Hence, in order to realise that inherent and untainted happiness, which indeed he daily experiences when the mind is subdued in deep sleep, it is essential that he should know himself. For obtaining such knowledge, the question ‘Who am I?’ in quest of the Self is the best means.

—Sri Ramana Maharshi

Cleaning House

Took me awhile after leaving the place, but I finally got it done. Some of it was foot dragging, some of it was technical hurdles, but after a couple weeks of farting around and sending support emails, I've finally purged my Twitter history.

But, you ask, what will we do without your archive of shitposts? To this I say, if you love something, let it go.

I’ve covered the whys of my leaving before, and mostly inertia kept me from sweeping up after I left. Jack doubling down on the “we should let Nazis and other abusers have their say about whether people are people” horse hockey finally got me fired up to finish the job. Plus I’m not sad about erasing all evidence of my previous shitposting.

Part of me really is sorry to do it. Twitter circa 2008 was a delight. It was a kitchen conversation the whole world was invited to. The whole world showed up, sat at the table or hunkered down on the floor by the lazy Susan cabinet in the corner, and we all got to know each other. We gave each other a window into our lives. We made jokes. Dear god, did we go overboard with that part.

But, if you followed the right people, there was love in that room. This isn't nostalgia. If you've been around that long, go use advanced search and look at your timeline from 10 years ago. It's a different place. A place that brought daily delight.

So I'm not angry. I'm sad. I'm sad to see yet another bunch of ostensibly well-meaning white men with money fuck things up for everyone. I'm sorry that that kitchen conversation devolved into becoming, as one friend so perfectly put it, the paper bag that we all scream into now.

My Facebook's gone, my Metafilter account's gone, and my toots are all purged (well, all but 175 that appear to be unfindable even from my archive). And I feel better now. More at peace. Less distracted from the people around me that need me now, today.

I made countless friends through those venues. Friends on nearly every continent. Friends who I’ve laughed and grieved with. Friends who have met me in, God, four countries outside of this one. I am sorry to shut the door on these places. But I'm not sorry to embrace what has come next. The next right thing. The next person who needs me. The next quiet moment, the next gift of boredom. Let us give thanks for having nothing to entertain us.

(Oh, for the record, I used TweetEraser to do the deed. No recurring monthly fee, no auto-posting to your timeline, and they patiently helped my dumb ass through multiple failed attempts when I didn't read the directions closely enough.)

Update: Scratch that. Now it’s 194 tweets. What the hell, Twitter.

Lost

The frogs were loud.

I was in the hammock last night, in the summer we stubbornly insist is still spring. Took me a minute to worry myself into my sweet spot for the night.

When I did, I noticed the frogs. I swayed there above the creek and listened to them call out for companionship and wondered if I could sleep in it. This high crickety lonesome. Like bubble wrap that somehow needs oiling.

There was that gnawing at the back of my head that so many of us word people feel, someone knocking on the other side of the basement door and saying "I have a gift for you. An idea. Use it now, or at least store it someplace safe until you can. Who knows when I'll come back."

So I reached up to the pouch that hung on the ridgeline above me, brushing past a book of Jane Yolen short stories, and I pulled out my phone as the sentence congealed. There was something to it, I thought, so I banged it out quick in my drafts app.

"The frogs were loud."

And then I said my prayer. I receive this gift with thanks, I acknowledge its heft, and I promise you that I will write it just as soon as I can. But I hope you will understand that I must sleep now.

And I did. It was deep and dreamless. I stirred only once when it had gotten cool enough to pull the blanket over me, maybe once more to worry over a pinched nerve. When I woke, I thought about my whiteboard.

Lance taught me about whiteboard meditation. You write something on your whiteboard and linger over it, see where it leads. I did my first one last week, and this is what I wrote:

YOU'RE LOOKING TO GET LOST

So many of my decisions, particularly the ones I've regretted, have been driven by what I believe is a fundamental need to lose myself. To be free of my own obsessions and fears and resentments and self-consciousness and, well, me.

I've found a healthy loss of me through helping others, through communing with that presence I reluctantly call "God", through immense suffering and loss. I never get it the right way when I chase it, yet chase it I have, in ways big and small. Through chemistry, through challenges to my endurance, through an addictive “faith” that was more like a dare, through women. And, I think, through stories and song too.

If you ask me to go to a party, I may say yes, but I will think no. If you ask me to be left alone with a story, to sit in a chair and read something that turns me, to sit in the dark and let a glowing screen change my feelings, I will leap at that chance.

I looked at that writing cue. The frogs were loud. And I thought about that smear of marker. You're looking to get lost. And I wondered. Should I write? Why?

Everyone who loves me will say yes, I should, because I have a gift. You have been given this, they tell me. It's a sin not to use it.

Okay, maybe, but for what?

Because what I want to do with it is get lost in it. Better if I can make you get lost too, because then you'll love me, won't you? Ask me what I wish I could do most of all, and I'd say I wish I could tell stories that delight. I want that for me, because I want that for me. That seems like a bad way to spend that gift, to feed it to my ego or use it as an escape pod.

It may be lucky that I've never really seen a story through. It may be the best thing for my health. Because the world is out there, people are out there, and if I'm going to get lost, shouldn't I get lost in them? In their stories? Shouldn't I be there to celebrate their triumphs, to hold them in their grief? Is that what the words are for?

The frogs were loud. My god, you wouldn't believe it if you haven't heard it. They knew nothing of anxiety or resentment or dread. They exulted in a natural compulsion: Tonight I must sing, because that is my nature.

And they sang, but not to me. Not for me, though it felt so. It felt as though I were in the center of it all, taking it in, letting it build in me until I could find the right means to grab your hand and tell you to listen, this matters, the frogs were loud and it changed me, it can change you too.

What is that for? Why is it?

What now?

I cannot find enlightenment or fulfillment by seeking it. I fail at the very first step because it is at odds with the very reason that I want it. I want it for me. And it isn't for me. Yet I have these words, and I am paralyzed because I don't know how to use them just for you. I don't know how to sing like the creekfrogs. They sing together. They sing to stay alive. They need not worry why because they cannot be corrupted as I am.

I want to lose that corruption. I want to lose me. I'm sick of me. And I know where to do it. I lose me in you. But I can twist even that into something it was not meant to be. So the words are a gift, yes, but they are also a burden. They put me at risk to be no longer useful to you. And without you, I go back to being something I've learned to fear.

I don't have a tidy bow for this. I have only the question of what now. I suppose it's time to shut up and listen. To find someone I can help, and trust that the words will eventually either show me what they are for, or else leave me alone.